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TRI ET FILTRES
TRI ET FILTRES
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Vous avez sélectionné:
Danger's Rag
Partitions à imprimer
28 partitions trouvées
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She's Like the Swallow for SSA choir and piano. Newfoundland folk song ballad.
Chorale 3 parties
Choral Choir,Choral (SSA) - Level 3 - Digital Download SKU: A0.890639 Composed by S…
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Choral Choir,Choral (SSA) - Level 3 - Digital Download SKU: A0.890639 Composed by Stella ter Hart. Arranged by Stella ter Hart. 20th Century,Folk,Standards. 12 pages. Stella ter Hart #3455153. Published by Stella ter Hart (A0.890639). This hauntingly beautiful and artistic arrangement of She's Like the Swallow contains the original, very old Newfoundland folk text very rarely used due to it's tragic story line. It is in the genre of beware the uncaring man common in folk songs of Europe which served to teach and warn young girls about the dangers of infatuation. This genre travelled to the United States and Canada in the 1700's. The expression apron low/apron high is a common thread in this genre and refers to being pregnant. She's Like the Swallow tells the tragic tale of a young girl who has fallen in love with, no doubt, a handsome but uncaring man. The story is told from each character's perspective plus an observer (narrator). The girl ultimately creates her own funeral bower of rose petals (ripping them off in desperation as she frantically runs through a garden), lies down on this 'bed of roses' and dies.  You have probably heard this song many times without ever knowing the true meaning due to significant verses left out. You will need a skilled accompanist! The accompaniment utilizes significant word painting throughout to highlight the haunting melody line. Word painting depicts the swallow, uncaring cruelty, desperation, blindly going in circles, anger, church bells and fading away/dying. The conductor is free to take liberties with the tempi and dynamics in order to create a unique interpretation that will resonate with their own choral group. This arrangement of She's Like the Swallow is an exceptional festival or competition piece and one that should be in the repertoire of every skilled women's choir! Duration:  4 minutes                                                                               Key: C minor (plus modulations)                                                                                    Level: intermediate/early advanced composer contact:  www.stellaterhart.com
$2.75
2.57 €
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Chorale 3 parties
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Stella ter Hart
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Stella ter Hart
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She's Like the Swallow for SSA choir and piano. Newfoundland folk song ballad.
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Stella ter Hart
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SheetMusicPlus
40 Graded Flute Duets (Grades 1-5) in various styles (Ragtime, Classical, Baroque, Comedy, Jazz, and more...)
2 Flûtes traversières (duo)
2 Flutes in C - Easy/Beginner - Digital Download Composed by Keri Degg. 21st Century,…
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2 Flutes in C - Easy/Beginner - Digital Download Composed by Keri Degg. 21st Century, Baroque Period, Jazz, Ragtime, Technique Training. Set of Parts. 32 pages. Published by Masquerade Music
A collection of all original duets for beginner to intermediate Flautists, progressively working through the requirements for grades 1 through to 5. With a variety of styles from Swing, Ragtime, Celtic, Romantic, (there's even the 'Train scene' from a silent film thrown in!) these are invaluable in lessons as sight reading practice, and light relief alongside exam study. The book also includes 'Eye-'n-Stein' a friendly eye icon that warns of possible danger ahead. The duets also have little tips for best results and technique. Also available in Clarinet and Saxophone editions.
$11.37
10.61 €
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2 Flûtes traversières (duo)
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Keri Degg
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40 Graded Flute Duets
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Masquerade Music
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SheetMusicPlus
The Raging Canal. A Comic Song
Piano, Voix
Piano and voice - Digital Download SKU: LV.18205 Composed by Singer P. Morris. Dang…
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Piano and voice - Digital Download SKU: LV.18205 Composed by Singer P. Morris. Danger, Courage, Ships, Storms. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.18205). Rococo Musicale. A Choice Selection of Musical Gems. No.5. The Raging Canal. A Comic Song. Written by the Celebrated Comic Singer P. Morris. Published 1844 by Horace Waters, 333 Broadway in New York. Composition of strophic with piano and voice instrumentation. Subject headings for this piece include Danger, Courage, Ships, Storms. First line reads Come listen to my story ye landsmen one and all, I'll sing to you the dangers of that raging Canal.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.59 €
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Piano, Voix
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Singer P
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The Raging Canal. A Comic Song
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Eight Fragments from Letters of Vincent van Gogh
Quatuor à cordes: 2 violons, alto, violoncelle
Baritone and string quartet - difficult - Digital Download SKU: S9.Q6601 Composed b…
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Baritone and string quartet - difficult - Digital Download SKU: S9.Q6601 Composed by Bertold Hummel. This edition: score and parts. Downloadable, Score and parts. Op. 84. Duration 19 minutes. Schott Music - Digital #Q6601. Published by Schott Music - Digital (S9.Q6601). German ⢠English.With the Eight Fragments Bertold Hummel has successfully created a most impressive work. Uncommonly concentrated in the evoking of atmosphere and reflecting the texts strongly, these dark grey songs - to quote Ludwig Hirsch - develop a sadly expressive, almost somnambulant charm. These songs seem to have become Bertold Hummel's completely inwardly turned Winterreise, the epigram of a psychosis, full of concealed suggestion and dark references, but always more full of hope. The sun becomes the constantly invoked bearer of hope. The music is highly expressive, exploiting the various performing and bowing possibilities of the stringed instruments and their capacity for nuances to the limits; occasionally oppressive visions in sound appear. It is music in danger, of a most fragile balance. Nor are subtle musical references missing. With only one note, following the word music, harmony and tonality are conjured up.
$33.99
31.72 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Bertold Hummel
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Eight Fragments from Letters of Vincent van Gogh
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Schott Music - Digital
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SheetMusicPlus
Danger's Rag
Xylophone
Composed by Christian McNally. For Xylophone. Ragtime. Advanced. 11 pages. Published by Ch…
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Composed by Christian McNally. For Xylophone. Ragtime. Advanced. 11 pages. Published by Christian McNally
$7.95
7.42 €
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Xylophone
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Christian McNally
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Danger's Rag
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Christian McNally
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SheetMusicPlus
Dan Peyton's Ride. A Song and Chorus
Piano, Voix
Piano and voice - Digital Download SKU: LV.4724 Composed by Allen Norton Leete. Joh…
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Piano and voice - Digital Download SKU: LV.4724 Composed by Allen Norton Leete. Johnstown Flood, Heroes, Courage, Drownings, Disasters. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4724). Dan Peyton's Ride. A Song and Chorus. Words and Music by Allen Norton Leete. Published 1889 by Wm. H. Boner & Co., 1102 Chestnut St. in Philadelphia. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Johnstown Flood, Heroes, Courage, Drownings, Disasters. First line reads At the warning of danger, Peyton on his horse, encounter'd the torrent.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.59 €
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Piano, Voix
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Allen Norton Leete
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Dan Peyton's Ride. A Song and Chorus
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Canoe for solo piano
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1110965 Composed by Adrienne Inglis…
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Piano Solo - Level 5 - Digital Download SKU: A0.1110965 Composed by Adrienne Inglis (ASCAP). 20th Century,Classical,Historic,Multicultural,World. Score. 24 pages. Adrienne Inglis (ASCAP) #713232. Published by Adrienne Inglis (ASCAP) (A0.1110965). Colorful, challenging piano solo traces an Ojibwe familyâs harrowing journey by canoe down the Brule River and across Lake Superior to safety Canoe (2022) by Adrienne Inglis (ASCAP) For solo piano Duration 9:22 Difficulty 5 advanced Canoe (2022) by Adrienne Inglis (ASCAP), commissioned by Dr. Joseph Choi for solo piano, tells a harrowing story through music of the composerâs Ojibwe ancestor, Wabegiah, and her three young children. Wabegiah grew up at Upper Lake St. Croix in Wisconsin, married the French trader Mr. Couture, and had three children. Mr. Couture died suddenly just as the tensions with the Sioux became quite threatening. To protect her children from being killed by the Sioux, she took them on the long journey in a birch bark canoe down the Brule River and along the coast of Lake Superior all the way to Sault Ste. Marie. As you would expect, much of the music represents water, but it also captures moments during their flight. Loud dissonant chords mark Mr. Coutureâs death and Wabegiahâs grief. The unsettling fear motive in Locrian mode predominates as they begin to flee. As they head away from danger, the courage theme follows them downstream. In a dissonant conversation with an Ojibwe man on the Brule River, he refused to give the hungry travelers food, but told them to continue to the riverâs mouth to find Wabegiahâs aunt and uncle. The restful and nourishing family time on the shores of Lake Superior allows for variations on the family theme, playful, sleepy, and reflecting on the coming of autumn. With the courage theme as the subject, a fugue tracks their difficult passage across Lake Superior to the safety of Sault Ste. Marie. Recounted by Eliza Morrison, a daughter from Wabegiahâs second marriage, this journey took place in the early 1830s. The three children were born in 1828, 1829, and 1830. The youngest of the children was Angelique, the composerâs great great grandmother.
$9.99
9.32 €
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Piano seul
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Adrienne Inglis
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Canoe for solo piano
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Adrienne Inglis
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SheetMusicPlus
Ride O'er the Waves
Piano, Voix
Composed by Austin Phillips. Clipper ships, Flags, Ship equipment & rigging, Supernatural …
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Composed by Austin Phillips. Clipper ships, Flags, Ship equipment & rigging, Supernatural beings, Sailors, Danger, Happiness, Courage. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.12096). - - - Johns Hopkins University Sheridan Libraries
$5.99
5.59 €
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Piano, Voix
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Austin Phillips
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Ride O'er the Waves
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Hector's Dolphin
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.982707 Composed by Jo Ellen …
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.982707 Composed by Jo Ellen Yeaple. Children,Contemporary,Instructional. Score. 2 pages. Jo Ellen Yeaple #2017211. Published by Jo Ellen Yeaple (A0.982707). Hector's Dolphin is found only in New Zealand. He averages between 3-5 feet in length and weighs between 90-130 pounds. His skin is a beautiful combination of pale greys, but his dorsal fin, flippers, and flukes are black. His belly is a creamy white, and he appears to be wearing a black mask around his eyes. Hector's Dolphin is endangered due to becoming entangled in gill-nets and drowning. There are approximately 7,000 Hector's Dolphins remaining of a population of almost 30,000 in the 1970's.
$3.99
3.72 €
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Piano, Voix
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Jo Ellen Yeaple
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Hector's Dolphin
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Jo Ellen Yeaple
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SheetMusicPlus
Jacob's Theme
Piano seul
Piano - Digital Download SKU: AX.00-PS-0015736 Composed by Howard Shore. Pop/Rock. …
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Piano - Digital Download SKU: AX.00-PS-0015736 Composed by Howard Shore. Pop/Rock. 3 pages. Alfred Music - Digital Sheet Music #00-PS-0015736. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015736). ISBN 9780739099995. UPC: 038081465074.Academy Award-winner Howard Shore is best known for his elegant and eclectic film scores, including the soundtracks for Peter Jackson's The Lord of the Rings and The Hobbit trilogies. This collection features faithful arrangements of some of the best known titles by this brilliant composer. Titles: Birthday March (Big) * Brooklyn Heights 3 (Gangs of New York) * Calliope (Big) * Catania * Coeur Volant (Hugo) * Dead Ringers (Main Title) (Dead Ringers) * The Dream (from the opera The Fly) * Dreaming of Bag End (The Hobbit: An Unexpected Journey) * The Dwarf Lords (The Hobbit: An Unexpected Journey) * Eclipse (All Yours) (The Twilight Saga: Eclipse) * The End of All Things (The Lord of the Rings: The Return of the King) * Erebor (The Hobbit: An Unexpected Journey) * Jacob's Theme (The Twilight Saga: Eclipse) * Love Will Find Out the Way (Spider) * Miss Spielrein (A Dangerous Method) * Piano Four * Portrait of Edie (A History of Violence) * Portrait of John Doe (Se7en) * Richard, Duke of York (Looking for Richard) * The Shape of Rage (The Brood) * The Thief (Hugo) * Your Flesh (from the opera The Fly) * Zoltar (Big).
$3.99
3.72 €
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Piano seul
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Howard Shore
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Jacob's Theme
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Le Pilote
Piano, Voix
Piano and voice - Digital Download SKU: LV.11997 Composed by Mme. L. de Lagoanere. …
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Piano and voice - Digital Download SKU: LV.11997 Composed by Mme. L. de Lagoanere. Clipper ships, Lighthouses, Sailboats, Sailors, Danger, Courage, Heroes. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.11997). Le Pilote. Strophes de Mr. Paul Timon-David. Musique de Mme. L. de Lagoanere. Published [n.d.] by E. et A. Girod, Editeurs, Boulevt., Montmartre 16m in Paris. Composition of strophic with piano and voice instrumentation. Subject headings for this piece include Clipper ships, Lighthouses, Sailboats, Sailors, Danger, Courage, Heroes. First line reads Beau navire jouet des lames Obscurement vastu perir.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.59 €
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Piano, Voix
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Mme
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Le Pilote
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Ótal stjarna hröp
Piano, Voix
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1250185 By Helga Ragnars and…
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1250185 By Helga Ragnars and Knut Rygnestad. By Guðfinna Jónsdóttir and Knut Rygnestad. Classical,Contemporary,Folk. Score. 60 pages. Knut Olav Rygnestad #844518. Published by Knut Olav Rygnestad (A0.1250185). This morning your being wokeIn knowledge of your heartâs lossAs the night had no dreamsBut only a thousand falling stars.Then the richness of a busy daySeemed to you the work of evil witches.â Guðfinna Jónsdóttir from Hömrum (1899â1946)This quote, taken from the poem âThe Golden Momentâ, showcases some of Guðfinnaâs writingâs distinct qualities: Profound sadness with a layer of beauty, and a juxtaposition of the mundane and the colloquial with grand imagery and the supernatural. Throughout her poetry we see these strong contrasts: A once-upon-a-lifetime moment that passes you by, but also the infinite beauty of a new-born baby. The wild Icelandic nature presented metaphorically like a protective Viking ship, but also great evil hiding under a sweet, romantic exterior. The life-long journey to a place of great beauty that was always inside you, yet also manâs desperate and futile attempts to bend a great mountain to their will. Her colourful and imaginative writing evokes the dramatic landscapes of her homeland in careful detail, as weâre presented with situations that carry both the great beauty and danger that the volcanic island holds.Guðfinna lived most of her life in Northern Iceland, working as a church musician and writing beautiful texts that unfortunately never made it outside of her native country during her lifetime. We get some small hints about her personal life through her poetry, such as the tragic and early death of her sister Hulda, who died from tuberculosis shortly after getting engaged. Helga Ragnars, being from the same town as Guðfinna and already familiar with her poetry, introduced Knut Rygnestad to it in 2019, after he expressed interest in writing settings of little-known poetry by women. The first two she sent were âHið gullna augnablikâ and âTvær systurâ, and Knut found these a joy to work with and quickly requested more, eventually leading to nine songs in total. With funding from Hljóðritasjóður RannÃs and the Norwegian Arts Council, they were able to record and release these songs in 2023, and hope that this will help to make Guðfinnaâs poetry reach a wider audience.This book contains sheet music for nine songs: Hið gullna augnablik VoÌggubarnsins maÌl AÌfangastaður Tvær systur LjoÌssins knoÌrr Hver ert þuÌ Mannsbarn Fjallið blaÌtt Mig dreymir enn
$22.00
20.53 €
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Piano, Voix
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Helga Ragnars and Knut Rygnestad
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Ótal stjarna hröp
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Knut Olav Rygnestad
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SheetMusicPlus
On The Highwire
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1294639 Composed by Donald Ashwande…
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Piano Solo - Level 4 - Digital Download SKU: A0.1294639 Composed by Donald Ashwander. Ragtime. Score. 6 pages. The Donald Ashwander Estate #884992. Published by The Donald Ashwander Estate (A0.1294639). On The Highwire, a captivating solo piano ragtime composition by Donald Ashwander, transports us to the magical world of the circus, where memories of childhood delight and wonder come alive once more. After many years of absence, a return to the circus rekindled the same emotions of delight, terror, and thrill that had captivated the composer during his youth.The composition is a musical tribute to that heart-pounding moment under the circus tent. Through the nimble fingers of the pianist, the composition captures the spirit of the highwire artist's ascent, balancing gracefully between the realms of courage and vulnerability.The ragtime style, known for its lively rhythms and syncopated melodies, mirrors the electrifying atmosphere of the circus, where each step is a daring act of courage and precision. The music's playful motifs and dynamic shifts mirror the ups and downs of the highwire, while the intricate harmonies evoke the delicate equilibrium between life and danger.As you listen to On The Highwire, let your imagination soar like the acrobat in the spotlight. Feel the rush of adrenaline and the thrill of each daring step. Experience the elegant nonchalance that defies gravity and leaves you breathless with amazement. This composition is a musical tightrope walk between nostalgia and the present, inviting you to relive the magic of the circus and rediscover the childlike wonder that still resides within us all.The final page of the sheet music contains special program notes by Donald Ashwander.
$5.95
5.55 €
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Piano seul
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Donald Ashwander
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On The Highwire
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The Donald Ashwander Estate
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SheetMusicPlus
Valor (for Brass Quintet & Percussion)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158392 Composed by…
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Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158392 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Patriotic. 19 pages. Https://gildedmusicpress.com/ #758673. Published by https://gildedmusicpress.com/ (A0.1158392). âValorâ offers a potent two-minute concert opener, or an attention grabber after intermission. It is also highly effective as an encore (depending on endurance, particularly of the first trumpeter and hornist), leaving the audience with a rush and energy typified by an effective encore. Besides some minor edits and formatting, the composition was completed the day I hit my ten-year anniversary of serving in the United States Air Force Bandsâa fitting anthem to celebrate a decade of service to my wonderful country! The title settled the next day as I began my second decade as an Airman Musician: Valor. The best account is recorded in my personal journal on 27 April 2021: â[Valor] is the Thrower family motto from hundreds of years ago. Itâs also a concept that helped get me into [Arizona State University] for my doctoral studies. [Professor] Hickman asked for a very difficult orchestral excerpt during my audition. [Béla Bartókâs âConcerto for Orchestra.â] I expressed some trepidation, but decided to give it a shot. I nailed it! Then Hickman turned to me with a big smile, âI give extra points for valor!â So Iâm pretty sure this little two-minute musical journal entry will keep the name âValorâ⦠as a motivational cheer for my next ten years in the Air Force. Valor! Great courage in the face of danger, especially in battle. Ok, in the face of lifeâs many battles, Valor it is! And on to the next ten years!â The music is in AAâBAâ form. The B section is heavily influenced by the thematic material of the A section, but with a strongly contrasting mood that could be dubbed quiet dignity. A finale section follows the last A with some motivic twists from throughout the piece, decisively ending with a power that could well be accompanied by a dazzling flurry of fireworks. None of the performers get much of a reprieve throughout the two minutes packed full of notes. The first trumpet part stays in the upper mid-range for most of it, which would absolutely sparkle on an E-flat trumpet (alternate part provided). Second trumpet is also demanding. The horn part demands a decent level of mastery in the high range as well as the low range, vehemently forsaking its traditional role of off beats. The trombone and tuba parts also present their challenges, and never really stop longer than to take a breath. Although this work could conceivably be performed without percussion, doing so is strongly discouraged. The power delivered by the snare, bass, and cymbals, and even the triangle in the B section, make the part arguably indispensable.
$19.95
18.62 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Dr
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Valor
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https://gildedmusicpress.com/
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SheetMusicPlus
WAYFARING STRANGER (Poor Wayfaring Stranger)
Chorale TTBB
Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.522333 Composed by Unknown…
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Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.522333 Composed by Unknown - traditional. Arranged by Paul A. Jorg. Christian,Spiritual,Traditional. Octavo. 4 pages. Paul A. Jorg #5869331. Published by Paul A. Jorg (A0.522333). This song is public domain, written in the 1850's, during a time - pre-civil war - when the nation was being torn apart. The writer calms his anxiety by holding on to God's promises. Here are some lyric notes: I am a poor, wayfaring stranger - Wayfaring: traveling especially on foot; peripatetic country preachers; a poor wayfaring stranger. Wandering through this world of woe - Matthew 18:7: Woe to the world because of the things that cause people to sin! Such things must come, but woe to the man through whom they come! And there's no sickness, toil or danger - John 11:4: When he heard this, Jesus said, This sickness will not end in death. No, it is for God's glory so that God's Son may be glorified through it. Ecclesiastes 2:18-19: I hated all the things I had toiled for under the sun, because I must leave them to the one who comes after me. Acts 14:22: strengthening the disciples and encouraging them to remain true to the faith. We must go through many hardships to enter the kingdom of God, In that bright land to which I go - James 1:17 Every good and perfect gift is from above, coming down from the Father of the heavenly lights, who does not change like shifting shadows.I'm going home to see my Father - John 6:40 - For my Father's will is that everyone who looks to the Son and believes in him shall have eternal life, and I will raise him up at the last day. I'm only going over Jordan - Joshua 22:4: Now that the LORD your God has given your brothers rest as he promised, return to your homes in the land that Moses the servant of the LORD gave you on the other side of the Jordan. Yet though dark clouds will gather round me - 2 Corinthians 12:10: That is why, for Christ's sake, I delight in weaknesses, in insults, in hardships, in persecutions, in difficulties. For when I am weak, then I am strong. I know my way is rough and steep - Psalm 16:11: You have made known to me the path of life; you will fill me with joy in your presence, with eternal pleasures at your right hand. Proverbs 15:24: The path of life leads upward for the wise to keep him from going down to the grave.But beauteous fields lie just before me - Numbers 13:25: We arrived in the land you sent us to see, and it is indeed a magnificient country, a land flowing with milk and honey. Where God's redeemed their vigil's keep - Exodus12:42: Because the LORD kept vigil that night to bring them out of Egypt, on this night all the Israelites are to keep vigil to honor the LORD for the generations to come. I'm going home to see my mother - Mark 10:29-31: I tell you the truth, Jesus replied, no one who has left home or brothers or sisters or mother or father or children or fields for me and the gospel will fail to receive a hundred times as much in this present age (homes, brothers, sisters, mothers, children and fields-and with them, persecutions.
$4.59
4.28 €
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Chorale TTBB
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Unknown - traditional
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Paul A
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peripatetic country preachers
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WAYFARING STRANGER
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Paul A. Jorg
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SheetMusicPlus
Heaven Is My Home (LARGE PRINT Piano Solo)
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.565407 By Sharon Wilson. By Lowell …
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Piano Solo - Level 3 - Digital Download SKU: A0.565407 By Sharon Wilson. By Lowell Mason. Arranged by Sharon Wilson. Jazz,Praise & Worship,Sacred,Traditional. Score. 2 pages. Sharon Wilson #4320323. Published by Sharon Wilson (A0.565407). Designed for those times when a short, musical interlude is needed, here is a 2-page, LARGE PRINT piano solo arrangement of the uplifting hymn Heaven Is My Home. In some hymnals, this song is titled I'm But a Stranger Here. This arrangement uses the less common tune known as OAK by Lowell Mason instead of the more familiar tune ST. EDMUND by Arthur Sullivan. This upbeat, syncopated arrangement will peak the interest of the listeners when used as an offertory or postlude.This arrangement is one of the 7 songs in the collection Hymns of Heaven. Each song in this collection was chosen because the lyrics talk about the joys of heaven. Â Lyrics by Thomas Rawson Taylor:Verse 1:I'm but a stranger here,Heaven is my home;Earth is a desert drear;Heaven is my home:Danger and sorrow standRound me on every hand;Heaven is my fatherland,Heaven is my home.Verse 2:What though the tempest rage,Heaven is my home;Short is my pilgrimage,Heaven is my home:And time's wild wintry blastSoon shall be overpast;I shall reach home at last,Heaven is my home.Verse 3:There at my Savior's side,Heaven is my home;I shall be glorified,Heaven is my home.There are the good and blest,Those I love most and best;And there I too shall rest,Heaven is my home.Verse 4:Therefore I murmur not,Heaven is my home;Whate'er my earthly lot,Heaven is my home:And I shall surely standThere at my Lord's right hand:Heaven is my fatherland, Heaven is my home.
$3.99
3.72 €
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Piano seul
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Sharon Wilson
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Sharon Wilson
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Heaven Is My Home
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Sharon Wilson
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SheetMusicPlus
Ikarus - Score Only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.751143 Composed by Benedikt Bry…
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Full Orchestra - Level 5 - Digital Download SKU: A0.751143 Composed by Benedikt Brydern. 20th Century,Contemporary. Score and parts. 25 pages. ConSordino Music Publishing #4633239. Published by ConSordino Music Publishing (A0.751143). Ikarus started life as a composition for 9 solo string instruments but soon grew into a fully orchestrated piece. On one hand it tells the classic story of Ikarus who, ignoring the warnings of his father, flew too close to the sun and died. On the other hand it pays homage to the inventiveness of the human spirit and embraces mankindâs ability, through the creation of complicated machines, to achieve more than our mortal bodies would allow.The music starts softly with Ikarus preparing for his take-off. Slowly the huge wings unfold and the piece lifts off with a majestic theme/motif. The nervous sixteen notes in the string section symbolize the constant flow of air and motion needed by Ikarus to fly.The joy of movement is mirrored by the cellos and bassoons, gliding in and out of the orchestra. Sounds of birds, clouds and impressions of earth from above are represented by various short melodic or rhythmic fragments throughout the first phase of his flight.Slowly the intensity and excitement builds until we are completely swept away and have lost all sense of reason or danger. Then, in the climax of the composition, Ikarus and his wings crash to the ground and the orchestra brakes down with him, loosing feather after feather until all has been destroyed. After this violent moment, the compositions quiets down gradually and reflects on the failure of Ikarus.Performed and recorded by Robert Ian Winstin and the Kiev Philharmonicon July 14, 2005Orchestral Material for Performance available as Rental Only.
$17.99
16.79 €
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Orchestre
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Benedikt Brydern
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Ikarus - Score Only
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ConSordino Music Publishing
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SheetMusicPlus
In Remembrance, September 11, 2001 for Tuba/Euphonium Quartet
2 Euphoniums et 2 Tubas
Brass Ensemble Euphonium,Tuba - Level 4 - Digital Download SKU: A0.755012 Composed …
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Brass Ensemble Euphonium,Tuba - Level 4 - Digital Download SKU: A0.755012 Composed by Sy Brandon. 20th Century,Concert,Contemporary,Patriotic. Score and parts. 52 pages. Sy Brandon #3240599. Published by Sy Brandon (A0.755012). This work was commissioned by the Euphouria Quartet. The composition reflects the composer's feelings about the tragic events of that fateful day. The first movement, Fanfares To Fallen Heroes, is a tribute to the brave firemen, policemen and rescue workers who tirelessly and fearlessly risked and sacrificed their lives in order to save the lives of others. The movement is permeated with fanfare motives that reflect both the bravery displayed and the danger that these people faced. The second movement, Elegy To The Innocent, is a tribute to all the innocent victims and their loved ones who have suffered at the hands of the terrorists. The outer sections have a dirge-like rhythm underpinning a sorrowful melody. The middle section contrasts the dirge by giving a sense of comfort to all that have suffered. The third movement, Justice, represents the struggle and resolve of the United States of America and its allies to eliminate terrorism. Battle motives alternate with a heroic theme throughout the movement. The last movement, Prayer For Peace, represents a hope that all the people of the world can achieve the tolerance and understanding we need to live in harmony and in a civilized manner. The chaconne form is used to represent the uniting of voices as the prayer grows in intensity from beginning to end. A recording by the Euphouria Quartet is available on an Emeritus Recordings CD entitled Echoes â Music for Tuba and Euphonium Ensembles by Sy Brandon and Mark Scott.
$7.99
7.46 €
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2 Euphoniums et 2 Tubas
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Sy Brandon
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In Remembrance, September 11, 2001 for Tuba/Euphonium Quartet
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Sy Brandon
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SheetMusicPlus
Bixby Walks Alone
Percussion Ensemble Marimba - Level 4 - Digital Download SKU: A0.1123395 Composed b…
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Percussion Ensemble Marimba - Level 4 - Digital Download SKU: A0.1123395 Composed by Martin J Van Klompenberg. Classical,Contest,Festival. Score and parts. 51 pages. Martin J. Van Klompenberg #724203. Published by Martin J. Van Klompenberg (A0.1123395). â¦You watch as a man walks alone, along a deserted rural highway. He is aware that danger is out there, but for this moment, the peril is far enough away to let his guard downâ¦.maybeâ¦. The pages of the comic book super âhero,â The Incredible Hulk, have always been among my favorites. I am personally one of the great defenders of the characterâs films. And, as a child, I loved re-runs of the The Incredible Hulk television show. Bixby Walks Alone is the musical intersection of this love. Inspired by the tragic, lonely ending of each episode of the television series, as well as the intense, expositive opening credits sequence of the 2008 film, I sat down and created the minimalist engine that drives this piece. Originally conceived for bassoon quartet, the opportunity to write a work for the Heartland Marimba Quartet allowed me to flesh out this feeling of tension even further.
$50.00
46.67 €
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Martin J Van Klompenberg
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Bixby Walks Alone
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Martin J. Van Klompenberg
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SheetMusicPlus
The Matador
Piano, Voix
Composed by Barter Johns. Portraits, Danger, Courage, Love. Lester S. Levy Collection. 8 p…
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Composed by Barter Johns. Portraits, Danger, Courage, Love. Lester S. Levy Collection. 8 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4880). - - - Johns Hopkins University Sheridan Libraries
$5.99
5.59 €
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Piano, Voix
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Barter Johns
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The Matador
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. âIs that you kids?â It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship⦠You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you knowâthem pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For â¦he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.72 €
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
1917: The Halifax Disaster
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1008264 Composed by William Brenn…
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Concert Band - Level 4 - Digital Download SKU: A0.1008264 Composed by William Brenner. Contemporary. Score and parts. 80 pages. William Brenner #5370501. Published by William Brenner (A0.1008264). Halifax was devastated on 6 December 1917 when two ships collided in the city's harbour, one of them a munitions ship loaded with explosives bound for the battlefields of the First World War. What followed was one of the largest human-made explosions prior to the detonation of the first atomic bombs in 1945.(...)In early December, one of the merchant ships in port was the large, Norwegian vessel Imo, en route from Halifax to New York to pick up relief supplies (...) Another was the French munitions ship Mont-Blanc - filled with tons of benzol, the high explosive picric acid, TNT and gun cotton - arriving in Halifax to join a convoy across the ocean.(...)The Imo was departing the harbour on the morning of 6 December 1917 (...) Imo had an experienced, local harbour pilot on board, William Hayes, who knew the navigation rules of the harbour. However, earlier encounters that morning with two inbound vessels moving towards Bedford Basin - both of which Imo had passed starboard-to-starboard - resulted in the unusual position that Imo now occupied, too far to the east (...) The Mont-Blanc had arrived outside Halifax the previous day and anchored overnight at the mouth of the harbour. On the morning of 6 December, the ship was cleared by harbour authorities to proceed toward Bedford Basin. Despite the Mont-Blanc's dangerous cargo, there was no special protocol for the passage of munitions ships in the harbour. Other ships such as the Imo were not ordered to hold their positions that morning until the Mont-Blanc had made safe passage through the port. Francis Mackey, Mont-Blanc's pilot, was guiding the ship inbound on the Dartmouth-side of the Narrows, when he encountered the Imo heading straight towards him in what he believed was Mont-Blanc's lane. Mackey would later maintain that the Imo was moving at an unsafe speed for such a large, unwieldly ship in the harbour, and also that incoming ships (in this case Mont-Blanc) had the right-of-way over outgoing vessels. Regardless of the accuracy of those claims, what is certain is that the Imo was sailing too far to the east, in what should have been Mont-Blanc's path.After a series of whistles and miscommunications between the officers and pilots on the two ships, and failed manoeuvres to avoid a collision, the Imo struck the starboard bow of the Mont-Blanc. After a few moments the two ships parted, leaving a gash in Mont-Blanc's hull and generating sparks that ignited volatile grains of dry picric acid, stored below its decks. (...) The Mont-Blanc exploded at 9:04:35 a.m., sending out a shock wave in all directions, followed by a tsunami that washed violently over the Halifax and Dartmouth shores. More than 2.5 square km of Richmond were totally levelled, either by the blast, the tsunami, or the structure fires caused when buildings collapsed inward on lanterns, stoves and furnaces.Homes, offices, churches, factories, vessels (including the Mont-Blanc), the railway station and freight yards - and hundreds of people in the immediate area - were obliterated. (...) Across Halifax, there were miraculous stories of survival. And equally, stories of tragedy. Many children were killed on their walk to school that morning, or blinded by flying glass. Those that survived the blast stumbled home, only to find their houses shattered, or their parents dead or wounded, among the wreckage. (...) Every year on 6 December, people gather above the Narrows to hear the ringing of the memorial's carillon bells, and to remember the victims of the disaster. www.thecanadianencyclopedia.ca/en/article/halifax-explosion
$22.99
21.46 €
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Orchestre d'harmonie
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William Brenner
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1917: The Halifax Disaster
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William Brenner
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SheetMusicPlus
Git Along Little Dogies [SA(T)B]
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.891191 Composed by Traditi…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.891191 Composed by Traditional. Arranged by Laurie Betts Hughes. Contemporary,Folk,Traditional. Octavo. 16 pages. Dandelion Music Press #3103589. Published by Dandelion Music Press (A0.891191). An ideal SATB choice for Middle School/early High School changing voice and developing ensembles of all ages, this boy-friendly accompanied concert arrangement explores the cambiata voice, male vocal registers, and encourages enthusiastic use of the falsetto and upper range through the use of an appealing yodel. Ask your choristers to bring their guitars, ukuleles, mandolins, and banjos and strum along!Conceived using the SA(T)B concept (http://www.dandavisonmusic.com/what-is-satb.html) and also available in Two-Part Treble and Unison voicings, Git Along Little Dogies is a traditional American cowboy ballad. The melody and lyrics were first published in 1910 in John Lomax's Cowboy Songs and Other Frontier Ballads, though the song has existed long before publication in the anonymous aural tradition of folk music. Since selling cattle was quite profitable, a crew of cowboys drove a herd, particularly from Texas, to railheads where they would be loaded into railcars and shipped cross-country to get the best price at market. Cowboys watched the cattle 24 hours a day, herding them in the proper direction in the daytime and watching them at night to prevent stampedes and deter theft. Around the campfire, cowboys sang of life on the trail with all the challenges, hardships, and dangers encountered along the way.E. C. Teddy Blue Abbott, honored in the Montana Cowboy Hall of Fame, explains The singing was supposed to soothe the cattle and it did... The two men on guard would circle around with their horses on a walk, if it was a clear night and the cattle was bedded down and quiet, and one man would sing a verse of a song, and his partner on the other side of the herd would sing another verse; and you'd go through a whole song that way.Notable performances: 2016 Idaho Middle School All-State Choir, inaugural year | 2016 Northshore 6th Grade Honor Choir, boys2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10
1.96 €
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Chorale SATB
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Traditional
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Laurie Betts Hughes
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Git Along Little Dogies [SA(T)B]
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Dandelion Music Press
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SheetMusicPlus
A Week in November - Sally Whitwell
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.873046 Composed by Sally Whitwell. …
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Piano Solo - Level 5 - Digital Download SKU: A0.873046 Composed by Sally Whitwell. Contemporary. Score. 11 pages. Sally Whitwell #6119391. Published by Sally Whitwell (A0.873046). A Week in November⦠and what a week it was! It was the week of the US Presidential Election 2020. As I write these words, the absurdist tantrums of the Trump-Pence campaign versus the reasoned compassion of team Biden-Harris continues even well after the results have been called in the Democratsâ favour. There will not be the usual respectful concession speech and transition of power. I worry every day about how these next few months will be so very difficult, maybe even dangerous, for my American friends. Those convoys of flag waving Trumpists gleefully, openly, encouraged by their âleaderâ, attempting to block the democratic process was horrifying to witness. Was America on the brink of civil war? It still doesnât seem far fetched to think that as I sit in my studio on the other side of the world, feeling helpless. The only thing I felt that I could do for my friends over there was to offer them a way to feel safe and loved in the moment, a bit of musical mindfulness. It was in this spirit that I wrote the second movement of this work, subtitled A Pocket Full of Calm. My excellent pianist friends Erica Sipes (USA) and Sandra Mogensen (Canada) adopted my little tune, recorded it on their social media to share said moment in the moment as it were. I hope it helped. I mean, if I can bring to even just one person some sense of calm solidarity, Iâm happy with that. The fifth movement in the set, Victorious, resolute, but gracious, was a stream-of-consciousness creative response to the Biden Harris victory and the way they handled it so eloquently, so humbly, how they gave the world a sense of optimism once more. For a long while, Iâd felt that I probably wouldnât be welcome in America. As a mixed race, queer woman I was the antithesis of everything they valued. But now, people like me over there can feel human again. The relief! As for the other days of that week in November, they are part of a continuing series of daily composition exercises I started back in October in an effort to end a lengthy period of pandemic-induced creative block. Using a combination of exercises from Music Composition Toolbox (Barbeler/Blom/Hindson) and Brian Enoâs Oblique Strategies Iâve been able to find my creativity again. Starting a composition âhabitâ is the best thing Iâve done for my writing all year and is how I mean to continue for a long time. Sally Whitwell12 November 2020
$15.00
14 €
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Piano seul
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Sally Whitwell
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A Week in November - Sally Whitwell
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Sally Whitwell
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SheetMusicPlus
Ali Ben Sou Alle: Souvenirs du Cap Bonne Espérence Largo, Variations sur “The Irish Emigrant" et Pol
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.533351 Composed by Ali…
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Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.533351 Composed by Ali Ben Sou Alle. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part. 33 pages. Musik Fabrik Music Publishing #2363197. Published by Musik Fabrik Music Publishing (A0.533351). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.Souvenirs du Cap Bonne Espérence (Souvenirs of the Cap of Good Hope) begins with a dramatic aria, perhaps evoking the trip to the Cap which was, in the 19th century, still very dangerous. The Irish folksong « the Irish Emigrant » is presented as a them and in two variations. Finally an extended polka in rondo form finishes the work brilliantly.
$19.95
18.62 €
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Saxophone Soprano et Piano
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Ali Ben Sou Alle
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Paul Wehage
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Ali Ben Sou Alle: Souvenirs du Cap Bonne Espérence Largo, Variations sur “The Irish Emigrant" et Pol
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Musik Fabrik Music Publishing
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SheetMusicPlus
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